Kübra Kılıç
London’s National Portrait Gallery has revealed its new branding and full 2023-2024 programming information ahead of its much-anticipated June 2023 reopening
The National Portrait Gallery in London has revealed its new brand identity and full 2023-2024 programming information ahead of its grand reopening on 22 June 2023.
The gallery, which has been closed to visitors since March 2020, worked with creative designers Edit Brand Studio, and brand strategists Boardroom Consulting to conceive the new vision for the National Portrait Gallery (NPG), which aims to better capture the gallery’s role in narrating Britain’s past, present and future through portraiture.
The design draws on motifs from the reimagining of the Grade I-listed building, which is being transformed and reconfigured by Jamie Fobert Architects as part of the Inspiring People project.
‘As we draw closer to our reopening on 22 June and revealing our complete transformation, this is the perfect time to launch our new brand,’ comments Nicholas Cullinan, director of the National Portrait Gallery. ‘Building on the concept of our architectural renovation, which is to reveal and celebrate our history while creating a gallery fit for 21st-century audiences, our new brand reflects our rich heritage but reimagined to be more relevant to more people in 2023 and beyond.’
The new identity debuts a new monogram, logotype, typeface and sleek colour palette, inspired by paint and materials in the building and archive, as well as the gallery’s own portrait collection. The new logo, which sees the initials ‘NPG’ entwined, draws on an original sketch by the gallery’s first director, Sir George Scharf, who entwined and encircled ‘NPG’ in a workbook, dated 1893.
The symbol has now been reimagined for the gallery by illustrator and typographer, Peter Horridge, best known for his logos and crests created for some of Britain’s leading institutions, from Liverpool Football Club to Liberty’s department store.
The new identity debuts a new monogram, logotype, typeface and sleek colour palette, inspired by paint and materials in the building and archive, as well as the gallery’s own portrait collection. The new logo, which sees the initials ‘NPG’ entwined, draws on an original sketch by the gallery’s first director, Sir George Scharf, who entwined and encircled ‘NPG’ in a workbook, dated 1893.
The symbol has now been reimagined for the gallery by illustrator and typographer, Peter Horridge, best known for his logos and crests created for some of Britain’s leading institutions, from Liverpool Football Club to Liberty’s department store.
A contemporary new typeface that’s part of the brand identity, NPG Serif, was created by type foundry Monotype and is rooted in historic font references found throughout the gallery.
‘When we started working with the National Portrait Gallery, we quickly understood the requirement to create a brand for so much more than a gallery,’ said Karen Hughes, creative director of Edit Brand Studio. ‘We were creating a brand for a shop, a new café, a fine dining restaurant, a learning centre, family activities and even a night out. Putting the vast, magnificent and diverse Collection front and centre, we’ve therefore created a brand that can flex and mean lots of different things to lots of different people, whilst still feeling part of a strong, distinctive, unified whole.’